This set of photos was captured during a Shenzhen photoshoot that extended into the outdoor gardens of Dongguan. Wearing a light green wig and fluffy orange animal ears, I completed the record of this outfit in a real-world setting. The core of the costume features an ancient-style xianxia design: a goose-yellow outer gown stitched with wide white water sleeves over a blue halter-neck undershirt. The accompanying bright blue long skirt is extremely eye-catching under natural outdoor light, though this high-saturation blue and white color scheme is prone to overexposure under direct sunlight, requiring the photographer to constantly adjust settings to avoid blown-out highlights.
A red and dark green wide waistband was used at the waist, which not only perfectly defines the proportions of the upper and lower body but also enriches the overall color palette. For the hair accessories, the hair draping down on both sides is secured with blue ring-shaped ornaments. The orange animal ears on top are made of plush material, and their angle was repeatedly adjusted after putting them on. For the makeup, I tried to keep a clean and transparent foundation, sharpening the gaze by darkening the eyeliner, and hand-painted two light-colored markings below the outer corners of my eyes to recreate the character's traits.
During the shoot, we visited several locations, ranging from a park with traditional Chinese eaves, pavilions, and huge rocks, to a courtyard nearby with retro carved wooden windows. Standing on a large rock with green trees and a quaint pavilion behind me, the architectural style complemented the character perfectly. Sitting on the stone railing, the wide white sleeves draped down naturally, creating a flowing visual effect. The close-up shots highlighted my facial features and hair accessories, especially the bright green bangs and the fluffy ears on both sides.
Because the skirt was particularly long, I mostly held it up and took small steps on-site to move around easily and keep it clean. When interacting with my partner for a duo shot, we discussed how to position ourselves naturally. For example, in the window frame shot, she leaned on the windowsill while I stood sideways next to her; paired with the dappled afternoon light and shadow, the atmosphere felt much more natural than a studio shoot. This set of photos doesn't rely heavily on post-processing special effects; it mainly relies on the native greenery, rocks, and Chinese-style window frames in the environment to set off the character, focusing on true colors and the character's expressions.
Shooting an outfit with many layers of outerwear and an extremely long skirt definitely requires some patience, as the sleeves need to be rearranged during every transition. However, seeing the shadows of the plants cast on the clothes in the final images, as well as the halo of the wig under the sun, makes all the hard work feel worth it. This look is quite recognizable in Chinese anime, and since I personally prefer this style of large real-world location shoots, this photography experience was incredibly fulfilling.