This low-key photography attempt was paired with a red-and-blue dual-tone set and overhead lighting, creating a very dramatic visual impact. The photographer, Master Dong, exercised precise control over light and shadow; when the overhead light shone straight down, the texture of the silver wig was contoured to perfection. The shadows across the face melted into the deep red background curtain, evoking a cold apathy and helplessness of being governed by destiny. During the shoot, I adjusted many poses following the photographer's guidance. For instance, reaching out to touch that beam of light was meant to simulate the exact moment a string puppet is manipulated. For the poses seated on the blue velvet cloth, I had to keep my body lines smooth to showcase the sheen of the white dress alongside the velvet texture of the purple garments. Engaging the right muscles was critical, because under such high-contrast lighting, slumping even slightly would blur the crisp contours of the legs and silhouette. I personally love the curled-up and head-down shots in the latter half: there was no need to look at the lens, only to imagine myself immersed in total darkness, which naturally brought out that delicate, shattered emotion. The entire shooting atmosphere was highly professional and quiet; instead of chasing sweet smiles, we stayed true to the character's signature aloofness and melancholy. I hope everyone can feel that subtle tragic undertone from this shadowy corner. As for wearing this outfit, the cuffs and neckline of the purple top were very delicate, but when raising my legs, the folds of the white skirt required constant rearranging to keep the framing clean. Discussing with the photographer beforehand on how to utilize shadows to express vulnerability proved to be a major highlight that elevated the rich texture of these photos.