The chosen theme for this shoot is Naiad from Identity V, with the core demand being to showcase marine elements and the texture of the haute couture wig. The newly built deep-blue ocean scene perfectly matches the character's setting. In the early stage of the shoot, we focused the light and shadow on the cold ambient light and the bottom reflection, aiming to simulate a visual experience of floating underwater.
My first impression upon receiving this costume was that it felt very haute couture. The headpiece is a hollow-out crown composed of pearls and curved lines, which looks visually very lightweight when paired with braided hair and cascading bangs. The outfit chosen is a pure white off-the-shoulder light gauze style. The lace design extending from the cuffs to the back of the hand, along with the embellishment of pearl chains, makes the entire character's temperament more pure and carries a hint of mysterious atmosphere. To adapt to the overall underwater palace style, a lot of thought went into wearing the haute couture anti-gravity wig. This kind of wig requires very meticulous combing and braiding to form a full braided structure, and the weight balance was also taken into account during styling to ensure the wig could still maintain its original contour during movement transitions within the studio.
A large number of transparent ribbons and laser-material hanging objects were used in the scene, along with scattered glowing tiny light beads. Paired with the blur effect of a large aperture, it directly creates a dreamy jellyfish tentacle atmosphere. The floor was intentionally treated with a reflective finish, allowing the model's feet and skirt hemline to create a water reflection effect, which feels much more authentic than the texture shot on a purely dry floor. The staff prop features a deep blue and purple gradient paint scheme, carrying a very heavy texture. The long-handled design adds depth to the composition, preventing the frame from looking too monotonous.
Although the fixing process for the anti-gravity wig was quite complex this time, the structural feel after the final photos came out is exceptionally beautiful. The hardest part during the shooting process was probably the composition ratio of the staff, because the staff itself is relatively long; it had to avoid the edges of the frame while echoing the seashell elements in the background, so we fine-tuned the standing positions and arm extension angles many times during shooting. The overall shooting environment was not crowded, and movement in the pure white gauze dress was quite free, making the transition process very smooth.
In terms of costume details, the edge of the skirt hem has a natural lace trim treatment, while the pearl accessories are mainly concentrated around the shoulder and neck areas. When shooting half-body close-ups, guiding the model to make light, slightly curling movements with her fingers, paired with the transparent lace hand details, can beautifully highlight the lightness of the entire outfit. No excessive light effects were overlaid in post-processing; we mainly relied on the original cold blue lighting inside the studio, yielding a very pure base color. Reflecting on this experience, the cooperation of costumes, makeup, props, and scene lighting allowed the final photos to achieve high character accuracy. The entire Cosplay studio shooting process was quite thrilling, and this setting is indeed perfect for this kind of ocean-themed photography with a cool, ethereal vibe.