The theme "Human Disguise Guide" along with the nickname "Yaya" makes this shoot an attempt at a specific visual style. I had prepared the relevant costume and wig, and the light purplish-pink curls have a beautiful reflective texture under the lights. The topknot on the head was made round using inner padding, and with the black skull hair clip and blue gemstone accents, the overall head styling achieves high accuracy with the character design. The choker around the neck features a structure of blue sapphires paired with metal chains, while the black thick-soled shoes worn on the lower half, combined with crisscross straps and metal cross decorations, make the leg lines look much more slender.
The shooting environment selected a deep red velvet curtain as the backdrop, with a black-and-white checkerboard pattern spread across the floor. I sat on a red retro leather sofa in the corner, with these elements building a sense of space akin to a stage play or Alice in Wonderland style. The focus of the shoot was, on one hand, to recreate the character design, and on the other hand, to highlight the gorgeousness of the costume through scene contrasts. The prop this time is a rather uniquely styled staff, featuring a purple sphere connected with pink and blue two-tone ribbons. The actual length of the staff is on the longer side, requiring coordination with the arm's leverage angles when holding it and posing.
The entire set of photos experimented with different camera angles and compositions. Among them, the close-up shot selected a pose with both hands propping my chin, where the red gloves formed a vibrant splash of color near my face, highlighting the theatrical nature of the costume. For the full-body standing shots, I deliberately used my hands to lift the inner lining and outer skirt hem, allowing the layers of the dress to be clearly visible. The black-and-white layered skirt hem had a pronounced reflective texture under the lights, and the pink lining was revealed just beautifully. The pose sitting on the sofa was relatively stretched out, showcasing the lower-body wear through the extension and expansion of the legs, with the high heels looking exceptionally vivid against the checkerboard floor.
During the actual shooting process, the photographer and I focused heavily on confirming the angles of the lights. Because the red velvet background easily generates strong reflections, the lighting needed to be as soft as possible. We adjusted the flash power to ensure that the highlights on the face were not overexposed while preserving the layers of the hair. Since the staff prop occupied a relatively large portion of the frame, the photographer specifically used some low-angle shots to avoid a crowded composition, using the diagonal line of the staff to guide the visual focus. With every shot taken, we checked the screen to ensure the wig and costume had not shifted out of position.
This Anime cosplay experience was overall quite smooth, with the entire shoot lasting about three hours. Although the prop was on the larger side and holding it for a long time made my hands a bit sore, it was entirely worth it to present the best visual effect. I believe that cosplay photography, as a form of creative expression, is not just about translating a 2D anime image into a 3D entity, but also about showcasing certain traits of the character through different shooting techniques and angles. The style of this photo set leans toward a retro court visual feel, which is vastly different from the daily portrait photography I have attempted before. This environmental construction and the cooperation of the photography team made the entire process full of fun and rewards.