A lot of thought went into the styling and shooting of this Aglaea set, from preparation to final execution.
First is the adaptation of the costume. The main body uses a lightweight white fabric with excellent drape, presenting a silky texture and soft folds before the lens. The outer caramel-colored semi-transparent tulle was custom-made; it needed to balance light transmission and layering to echo the highly recognizable golden star crown on my head. The crown's crafting process was very delicate, pieced together with a large number of metallic star parts and pearls, yielding an exceptional real-life texture. I adjusted its angle multiple times when wearing it to ensure it wouldn't experience massive reflective overexposure under direct top-light or back-light, instead melting beautifully into the hair edges.
Regarding facial features and makeup, to match the character's ethereal and divine atmosphere, the base makeup was done very cleanly and crisply. The highlight lies in the delicate golden glitter and gold foil adorned beneath the lower eyelids and on the cheekbones, showing a faint, shimmering stardust effect under the studio lighting. The wig is light gold, trimmed with layers to create an airy feel, and the green colored contacts also happen to anchor the overall focus, preventing the gaze from being swallowed by the extensive light-toned makeup.
The shooting scene layout was selected at a local studio in Chongqing that specializes in classical fairy-like themes and a divine atmosphere. The site included thick white Roman columns, marble-textured statues, pure white drapes, and white roses and green leaves purchased specially from the flower market that morning. We even prepared a semi-circular pebble pool on the ground to catch the dry ice from the fog machine. The biggest challenge during the shoot was controlling the smoke density; too thick would make the background muddy, while too thin would lose the hazy feeling of a divine realm descending. We shot around thousands of frames before finally filtering out these moments with just the right amount of smoke.
The scheduling of light was the absolute priority. To restore the 'bathed in gold' setting, the main light source's position was adjusted extremely high, forming a distinct beam effect within the lens. The photographer applied blocking and reflection techniques, avoiding large areas of flat light to make the facial contour lights and edge lights more three-dimensional. Under the dual softening of white tulle and smoke, the entire image presented a warm golden tone. In the post-processing phase, I didn't excessively edit or smooth the skin, but preserved the basic texture of the skin and the transition of light and shadow, hoping the photos could convey a sense of authentic gorgeousness, yielding an excellent example of Anime-style photography.
We tried several different perspectives during the shooting process, such as a full-body standing pose leaning against a pillar, a sitting interaction with a marble angel statue, and half-body hand close-ups. The shoes for this look are also quite special strap-up sandals, which excellently showcase the leg lines and the flowing skirt hem when taking full-body shots. I hope each scene we built with care, and each beautifully crafted prop I wore, can cross the screen to deliver that serene feeling of being bathed in golden light to everyone.