[Blanc: White Rabbit cosplay] Goddess of Victory: New Hope, The Lucky Express Train Ready to Go - Image 1
[Blanc: White Rabbit cosplay] Goddess of Victory: New Hope, The Lucky Express Train Ready to Go - Image 2
[Blanc: White Rabbit cosplay] Goddess of Victory: New Hope, The Lucky Express Train Ready to Go - Image 3
[Blanc: White Rabbit cosplay] Goddess of Victory: New Hope, The Lucky Express Train Ready to Go - Image 4

These photos are the Convention photos from this anime convention. The photographer helped process a monochromatic background afterwards, highlighting the main subject's white styling. This outfit is the exclusive matching set for \"Blanc: White Rabbit\" in the \"Goddess of Victory: New Hope\" event, centered around a white jacket combined with layered black inner wear and shorts. In terms of overall fabric, the white matte jacket does not excessively reflect under the venue's highlights, closely resembling durable tactical fabric in texture. Emblems and metal fasteners on the chest and sleeves add a touch of uniform feel to the whole look. My personal aesthetic preference lies in the coordination of the waistline and leg lines. The black crop top creates a staggered layer with the hem of the white jacket, visually elongating the waistline. White shorts matched with matching over-the-knee long boots, and that fluffy ring of white fur around the boot opening has been praised by many, bringing great rhythm when running or sitting down. To fit the dual attributes of \"White Rabbit\" and \"Express Train Conductor,\" the White thigh-highs outfit paired with boots becomes an extremely eye-catching visual center in both studio shots and outdoor Convention photos. Regarding props, no large heavy weapons were carried this time; it was a light-armed setup, mainly aiming to convey the character's temperament through body movements and gaze. The hairstyle adopts slightly fragmented bangs along with long silver-white twin-tails, creating a sense of lightness when swinging. The venue had a large crowd that day, so I tried to quickly complete actions within the area coordinated with the photographer. The posture of sitting on a bar stool in Photo 3 is a composition I quite like, as it simultaneously displays the high-heel design of the shoes, the curves of the legs, and the lines of the waist, fitting the character's cute agility while also feeling a bit cool. Anime-style photography actually relies heavily on short-term mutual understanding between both parties. I need to strike the most character-appropriate pose within seconds and maintain a steady expression, which requires practicing facial muscle control frequently. White-themed cosplay costumes truly test lighting; if the lighting is inadequate, the layering of white blurs into one mass. Through these Convention photos, I learned some shooting techniques like shallow depth of field and post-processing color separation. Quite a few fellow fans recognized this look at the venue, and this offline interaction experience is very genuine and the biggest motivation supporting my continuous cosplay journeys. The fabric of this costume is slightly thick, making it a bit warm walking around the exhibition hall, but in the face of passion, such temperature is a minor issue. Every photoshoot is a brief fusion of character and self, and I hope to accurately convey the vitality intended in this set of photos to those who see them. Controlling the matching and details, and understanding the character design took quite a long time to prepare, and the results on the shooting day were indeed great.