[Ye Shunguang Cosplay] Zenless Zone Zero On-Set Record: The Collision of Red Plum and Chinese-Style Sci-Fi

Shooting the character Ye Shunguang from Zenless Zone Zero was a completely new experience for me recently. From the moment I got this costume and weapon prop, I was drawn to the striking blend of red, white, and yellow in the design. In particular, the giant broadsword in my hand, which fuses a sci-fi mechanical feel, felt incredibly heavy. It created a very fascinating contrast with the traditional carved wooden window frames, red plum branches, and the soft, glowing moon backdrop in the background. The focus of the makeup and styling this time was on the red contacts, paired with slightly upturned eyeliner and a subtle red lip, hoping to recreate the character's crisp, cool, and slightly mysterious nature.

For this photoshoot, I actually paid closer attention to the texture of the costume fabric. The main white fabric isn't the easily wrinkled cotton or linen, but a material with a certain drape and subtle sheen. Under the lights, it reflects the warm ambient light beautifully, making the silhouette look more three-dimensional. The yellow and black geometric structure of the collar is very stiff and structured. This slightly techwear-inspired element colliding with the traditional cheongsam-style cut perfectly embodies the captivating Eastern Cyber aesthetic of the design.

Speaking of the greatsword, it takes up a very significant part of the composition. The hilt has a dial structure similar to gears or scales, packed with a mechanical feel. Although the blade is wide, the red and black diamond patterns on it echo the costume. Holding this sword with one hand during the shoot was a real test of arm strength; several shots that showcase instant tension were actually captured at the exact moment I held my breath to exert force. I had to move my shoulder around immediately after each take.

As for the hair and makeup, to match the energy of the high ponytail, the hair was specifically layered to look light and airy, with the front bangs and sideburns framing the face beautifully. The red colored contacts for both eyes are the absolute highlight of this photoshoot. Combined with the curve of the false eyelashes, they give the gaze a powerful sense of focus in front of the camera.

The shooting location chosen for those few days was excellent, featuring a large Chinese moon lamp and branches full of red plum blossoms. Most of our lighting relied on that moon lamp to create a side-backlight, which formed a beautiful rim light around the edges of the hair strands. I spent a long time working things out with the photographer on-set, successfully using the prop's light effects to create that moonlit atmosphere. I prepared many different poses this time, from a lazy vibe leaning against a wooden table to a fierce look holding the sword with both hands. A scene setting that blends East and West like this actually tests your positioning and lighting angles quite a bit during shooting.

Finally, as a cosplayer, what I want to express most is my understanding of this design, using body language and expressions as much as possible to recreate the essence of the character itself. Different from traditional ancient styles, this character carries an aura that is more relaxed and casual, yet still holds a strong combat attitude.