This session of Cosplay pose reference uses a set of Genshin Impact Ganyu x Cinnamoroll fan-made styling shot three years ago. Studio pose designs usually place quite a bit of emphasis on a sense of interaction, and this set of photos can provide a benchmark for cosplayers who have outdoor or studio shooting needs.
First, let's talk about the styling combinations of this look: the light blue wig has white hair accessories, which are very close to Cinnamoroll's color scheme. The inner layer is a white lace camisole with some blue bow-tie decorations on the chest, layered under a very loose light blue zip-up jacket. The lower body features a semi-translucent white tulle skirt with small, delicate blue bows on the side of the hem. The legs are paired with high-quality white over-the-knee socks and white chunky-heeled Mary Jane high heels.
Today, the cover image I've selected is the last photo, which is the pose where I am sitting on a white circular pedestal with my legs naturally extended forward, raising both hands above my head to tidy my hair. On the right side of the frame, the Cinnamoroll plushie rests quietly, while one high heel is casually kicked off to the side. Such lifestyle details can beautifully display a lazy, natural atmosphere. The white socks look clean and smooth under the studio's flat lighting, and the slightly elongated leg lines also stabilize the overall visual focus.
The second image shows a dynamic pose standing on one leg: standing on the pedestal while holding the massive Cinnamoroll plushie in both hands. The core of this action lies in body balance. If you want to shoot a lively and playful feeling, you can try standing on one leg while shifting your center of gravity slightly. Because the left foot uses the chunky heel for support and the right foot is naturally lifted, the curves of the body are beautifully outlined. This kind of leaping dynamic feel is perfect for pairing with a loose jacket; with a gust of wind or a slight adjustment of the body angle, the final photos will look incredibly vibrant.
Next is sitting on the pedestal, putting the plushie on the thighs, and pointing both index fingers toward the sides of the face. The focus of this pose lies in the upright posture of the upper body and a sweet smile. Here, the plushie acts as an excellent shield and support, drawing your gaze and attention to the facial emotional expression, preventing you from looking at a loss for what to do with your hands.
The fifth and fourth images show the kneeling pose and leaning against the plushie. When shooting kneeling poses, be careful not to let the knees stretch the white socks too tightly. Adjusting the ankle positions slightly to form a certain angle between the calves and the ground can make the calves look more slender. Leaning against or holding the plushie is an excellent way to relieve eye tension; you don't need to keep staring at the lens, and looking at the plushie beside you can also make the shot look very gentle.
Looking back at this fan-made work three years later, I find that clean, white-background studio shoots are one of the most timeless presentation methods, setting them apart from a casual Anime style selfie. Without complex background interference, the gaze naturally focuses on the character's hair, makeup, and poses. Ganyu's cryo attribute is transformed into a sweet and cute daily style in this set, blending comfortably with Cinnamoroll elements. We didn't use too many lighting special effects during the shoot—just the most basic softbox, which is incredibly friendly to the presentation of white socks and skin textures.
Many beginner cosplayers tend to get anxious in front of the lens. Actually, the simplest method is to grab a prop in your hands. Plushies, books, or even an umbrella can become a bridge for you to build a connection with the camera. In this set of photos, Cinnamoroll runs through all the frames. Whether it's held tightly against the chest like a weapon or casually placed by the feet, it gives the actions a sense of story.
When shooting fan-made concepts, different ways of wearing a single outfit can also bring different visual effects. For instance, you can choose to wear the jacket for some wide shots, or take it off to reveal the lace inner layer inside for close-up details, making a set of photos look much richer. For the last few shots of this look, I chose to take off the jacket, keeping only the inner layer and white stockings. This streamlining of the color scheme made the frame look much lighter and more translucent.
Cosplay is not just about recreating a character; it's a fusion of your own emotions and the character setting. Looking over these photos again three years later, they are still full of gentle and refreshing memories. I hope this session of pose references can help those who are looking for inspiration. Once you master the essentials of interacting with props, many pose difficulties will be easily resolved.