This Chainsaw Man Reze dress styling has finally been successfully photographed and released. The shooting location this time was chosen outside the Guangzhou convention venue, specifically during CICF. To restore this styling, quite a lot of thought went into the clothing and props during the preparation stage. The black strapless evening dress was custom-made by a tailor, choosing a material with a certain drape that wasn't too heavy, giving it the texture of a dress while avoiding a bulky look when walking and posing. Especially the trailing hem in the back, the floating effect in the breeze is exceptionally good, adding a sense of dynamism to the frame.
The tactical straps and dagger on the thighs were also assembled by hand; the tightness was repeatedly adjusted to fit the thigh size, ensuring they wouldn't slide down during squats or large movements. The matching black translucent long gloves and choker details were also carefully selected, ultimately choosing styles that are resistant to snagging and elastic-fitting. For the wig, layers were trimmed, and the stray bangs on the forehead were groomed to make the gaze look more penetrating when looking through the hair strands at the lens.
This time, it was all thanks to the guidance of photographer A-Shu. Although it was an out-of-venue shoot during the convention with many passersby, we found an area with metal railings near the bus station, utilizing the cold, hard lines of the railings against the black dress to create an atmosphere blending urban wasteland with a dark secret agent. Especially in pictures one and four where holding the prop gun, the photographer suggested using the prop gun close to the head or held in hand, paired with the dagger on the thigh and a slightly sharp gaze, instantly bringing out the cool vibe. Actually, holding the weight of the prop gun for too long makes the wrist sore, especially in picture four where the gun is raised against the head, requiring the arm to be suspended in mid-air. To capture that seemingly relaxed yet oppressive state, I adjusted my breathing several times. The contrast between the black leather of the thigh straps and the skin of the legs is also a detail I really like; this hardcore armed feeling combined with the softness of the dress is precisely what makes this styling attractive.
As for the small bunch of white and blue flowers, it was a specially prepared contrasting prop. The murderous feel of the dress is too heavy, and holding a flower bouquet can neutralize some of the aggressiveness, giving the entire frame an extra touch of the pureness the character might originally possess, which also leaves more room for play in post-processing color grading. The lighting during the convention is actually quite complex, but fortunately the photographer had great control over ambient light, utilizing side-backlighting to highlight skin texture, and in post-processing, fine adjustments were made to the red-purple wig and skin tone, darkening the background to make the character stand out more.
Doing outdoor location shoots at a convention is truly a test of physical stamina. Maintaining a standing posture in high heels or posing in a kneeling position on the ground puts considerable pressure on knees and ankles. To make the picture look good, for that kneeling pose in picture one, I intentionally leaned my body center of gravity slightly back so that the leg lines would appear more slender, but it also required tightening the core to avoid slouching. This experience made me feel that producing a great set of photos is not just about restoring the exterior appearance, but also about repeatedly deliberating over the character's expression and aura. Overall lighting and composition were matched with great tacit understanding, and the texture of the final photos is also wonderful; it was a very fulfilling shooting experience.