Finally, the edited photos for this Tanga Ibuki cosplay set are out. Actually, the weather was quite cooperative when shooting this group of pictures; the afternoon natural light hitting the non-slip steel plates of the overpass gave it a particularly great texture. The character Tanga Ibuki is very memorable in Blue Archive, and to pull off this cosplay well, a lot of preparation was done from costumes to props. As an outdoor cosplay photoshoot, both preliminary preparation work and on-site execution are very important, which is also part of showcasing the charm of cosplay.
Let's first talk about the details of this costume. The black long coat has a bright red lining, and the red-and-black color blocking is very eye-catching under the sunlight. The sleeves are red-and-black spliced with golden buttons, paired inside with a white shirt and a dark blue pleated skirt, with white line decorations along the skirt hem, and the red ribbon at the neckline is also carefully tied. The shoes were specially chosen as bright yellow short boots with a yellow bow at the ankle, contrasting with the overall color tone. The wig is long golden straight hair, matched with pink hair accessories and pointed elf ears, and the hat chosen is a black military/police cap with a golden badge, resulting in a very high completion of the overall styling. In terms of makeup, the eye makeup carries a slight blush, matching the overall 2D-leaning style. The props prepared include a spiral sketchbook, a red-and-white toy gun, and a brown little bear pendant, and these small details played a great decorative role during the shoot.
The shooting location was chosen at the stairway entrance of the overpass, where the white metal railings and mesh protective nets give a strong industrial feel of city streets. At first, I sat on the non-slip steel plate holding the sketchbook in my arms, turning to the page with a white dumpling pattern, while the photographer captured candid shots from the side. This action needs to be natural and relaxed, with legs naturally extended to showcase the side layers of the skirt. Later, standing up and leaning against the railing, holding the art book or making a peace sign with one hand, shifting the body's center of gravity slightly backward can elongate the overall visual proportions.
The pose holding the gun actually tests the center of gravity quite a bit; when the gun is laid horizontally across the shoulder, it requires maintaining body balance, and the side-profile standing posture can better elongate the leg lines, with the red coat naturally draping down, making it quite eye-catching in the frame. Another pose supporting the face with one hand is intended to create interaction between hand movements and the face, making it look more vibrant. The entire shooting process went very smoothly because the light and shadow were so great that many times we didn't need fill light to capture a very translucent skin texture.
To achieve this style, I also put special thought into the styling, making the connection between the elf ears and the golden wig more natural so it wouldn't look obvious. The daily feel of this kind of 2D character requires the posture to be slightly relaxed rather than too rigid. Actions like leaning against the railing or sitting cross-legged on the ground are very suitable poses. The wind was a bit strong on the day of the shoot, so extra time was spent tidying up the hairstyle and skirt hem to ensure every photo presented the best state. As a coser, the preparation period before every cosplay photoshoot is the most time-consuming. From clothing maintenance to prop inspection, and communicating the desired imagery with the photographer, every link affects the final effect. Choosing the overpass background this time was also to use the modern urban environment to highlight the character's uniqueness. Although many passersby walked past, once immersed in the shooting state, I was completely absorbed in the atmosphere of Tanga Ibuki. Recording the whole process felt quite interesting.