Yin and Yang manifest, separating the pure from the turbid. This time, in the styling of Azure Empyrea, I completed this outdoor location shoot by the garden pavilions and stone bridges of early spring. Although it looks very flowing and ethereal in the photos, from makeup and costume preparation to finishing all the movements, it actually took a lot of thought to recreate that cool, aloof chivalrous aura. The reason for choosing this skin was largely because its blend of black and white, paired with heavy ribbons and layered lightweight gauze, is highly eye-catching. However, this also means that when wearing it, one must constantly pay attention to managing the layers.
Throughout this entire shoot, the most exhausting part was actually controlling the dynamics of the skirt hem and tassels. Because this highly realistic ancient style look can easily appear dull in static standing poses, I specially arranged a combination of moves shifting from leaning and crouching to dynamic starting stances. In the first shot, a half-kneeling posture supporting an umbrella with one hand, to keep the center of gravity stable and the character's expression sharp, I repeatedly adjusted the position of my legs to find that hidden yet unreleased aura. In the second shot, leaning against a stone railing, I shifted my body weight slightly onto my arms to make myself look more relaxed, while simultaneously using the oil-paper umbrella with ink-wash patterns as a visual lead to give the frame a sufficient sense of negative space.
Outdoor location shooting for an ancient style cosplay heavily relies on being at the right place at the right time. The light that day first filtered through tree branches to cast mottled light and shadow on the white marble pillars, before we moved in front of an extremely exquisite Chinese-style hollowed-out wooden door. When that mahogany door served as the background, because its deep tone could easily suppress the subject, extra care had to be taken to make the white-based black outfit stand out. During the shooting process, I also intentionally captured a few moments when the wind picked up, letting the hair on my ponytail and the wide trouser legs rise with the wind to fit that flowing, smooth movement characteristic of "Azure Empyrea."
To be honest, wearing this kind of heavy ancient style with multiple layers is quite a test of physical strength. The shoes are decorated with metallic cloud patterns, making movement far from lightweight, but this also allowed me to gain a more concrete understanding of the character's steady and composed personality during the shoot. This kind of performance, switching between cool alertness and dashing coolness, requires much more character immersion than simply smiling at the camera lens. Additionally, for the makeup, I chose a somewhat transparent base and cool-toned eyeshadow to match the hair color, and the blue of the colored contacts happened to correspond to the character's spirit; these small details stacked up to make the final images look harmonious.
Regarding the treatment of the wig, to better exhibit a flowing sensation, I intentionally enhanced the texture of the hair strands without letting them look frizzy. The arc drawn by the hair ends in the air when walking and swinging sleeves is also part of the frame's visual tension. Although the entire shooting process was exhausting, I snapped a few highly satisfying pictures amidst the interweaving of light and shadow. This set of photos did not deliberately pursue exaggerated post-processing filters, but rather tried to preserve the native texture and the original details of the clothing itself. As an attempt into which a lot of thought was invested, I wanted to do my best to present that flowing, unbridled yet calm and collected feeling of "Azure Empyrea." I hope everyone can feel this dedication when viewing the pictures. The scenery and the costume achieved a wonderful integration in the lens, making it a highly pleasant Chinese-style photography experience.