In terms of set replication, I paid special attention to the metallic texture of the headpiece and the bell at the neck this time. The black halter top paired with the white-and-gold bordered skirt hem, along with this pair of massive horns, makes the visual center easily lose balance, but the styling teacher was exceptionally supportive. The base makeup and the flow of the hair strands were done cleanly and crisply, making the overall look appear very natural in front of the lens. During the actual shooting, because I had to lift that huge ice crystal longbow prop, the wrist pressure was truly quite heavy. To express the tension of a bow-wielding character, I tried stretching movements from several angles. Fortunately, the final photo results proved that this effort was worth it.
After Teacher DEVINJ finished retouching the raw photos, I performed AI enhancement on this batch of materials in post-processing, mainly wanting to improve the overall light and shadow atmosphere and the transparency of the ice and snow special effects. However, the edges generated by AI sometimes easily look overly smooth, like playdough, so when making modifications, I took the original raw image bones and skin texture remaining unaltered as a prerequisite, trying my best to preserve the realism of the physical world to avoid the frame looking excessively distorted. For the few photos in the snowscape water scene, my feet were originally standing in real shallow water. To restore this close-up texture and refraction, it was almost equivalent to standing in the water for nearly twenty minutes. The freezing sensation of ice and snow piercing through the black tights outfit was truly bone-chillingly cold, but for the sense of adventure and character temperament in the frame, it was completely worth it.
The two photos in the outdoor garden were shot near the plants and veranda pillars of a park. The light was relatively harsh at the time, and direct shooting would cause a huge contrast in light and shadow, so the post-processing halo and soft light effects for this set were basically re-optimized with AI assistance. Having shot this entire set, I feel that when shooting bow-user characters, the biggest test is not the stability of the center of gravity, but the locking sense of the gaze and the sense of belief. Because the ice arrows are special effects synthesized in post-processing, you have to imagine the flight path of the ice crystals out of thin air while shooting, coordinating with an upturned smile and the rhythm of breathing to restore that relaxed yet valiant state.
Looking back at this batch of finished products, although a lot of integrated light and shadow were added in post-processing, causing the texture details of the lower half of the skirt to look slightly flattened under some extremely bright light, I am personally extremely satisfied with the visual extension of this black tights outfit texture and leg shape. The pairing of white high heels, black stockings, and that red thin cord at the ankle serves as a highly harmonious highlight in the color composition, forming a very clear contrast with the material of the white sleeves under the warm light of the flower clusters. I believe that good Anime cosplay sharing doesn't necessarily have to completely pursue a CG height that surpasses physical limits; retaining a bit of the real wrinkles of props and costumes on a person often gives the photos more human warmth, giving people a sense of immersion. The two photos with semi-transparent overlapping silhouettes serve as a fun exploration in post-processing, actually meant to symbolize the character's own Cryo element traits, creating a cross-spatial dialogue between the large silhouette and the small physical entity.
Speaking of movement design, to avoid plain camera standing, I attempted drawing the bow and shooting arrows, tilting the head with hands clasped, and that kind of side-profile backward glance leaning against the veranda pillar. If you shoot similar small skirt looks in your Coser daily life, definitely remember to use more 90-degree side profiles or slightly twisted waist stances. This can beautifully highlight strengths and bypass weaknesses, reflecting the waist-hip line and shoulder contours, allowing the three-dimensional feel of the clothing to be better displayed. Although a considerable part of the final photos this time involved post-processing filters and AI intervention, I still hope the audience can see the color block matching logic of this costume itself, the details of the shoulder and neck lines, and the replication degree of these accessory stylings. The above is just some rambling and experience sharing after shooting and outputting this Liyue Cryo bow-user cosplay.