Let's jump right into this Gachiakuta Riyo Anime-style photo set. Speaking of this set, the time spent in the early preparation stage was far more than the shoot itself. The most memorable part was that highly saturated red wig. To keep the flame- or feather-like shape expanding from the top of the head standing upright, styling it with setting spray and hair wax alone took a lot of energy. To maintain its volume and layering, the hairstylist built several layers of support inside the wig. Although it added some weight when worn, the resulting silhouette perfectly matched the original setting. To fit the fierceness of the character's combat state, I deliberately wore blue-green contact lenses, which, combined with dark eyeliner and faint red lips, conveyed a dangerous and tense gaze in front of the lens.
Speaking of the costume, this classic gray-and-white jacket and black-and-white contrasting inner wear heavily test one's figure. The jacket has a loose fit but a short hem, just exposing the waistline. Paired with black sporty shorts and over-the-knee boots, the wide-on-top, narrow-on-bottom silhouette looks crisp and neat while carrying a certain sense of combat gear functionality. Although the overall outfit looks very light, some minor treatments were done inside to prop up the shoulder part of the jacket, ensuring the entire look wouldn't appear loose or slouchy on camera. The small orange bag at the waist and the brown ring collar around the neck add a touch of the character's daily life in the details; compared to pure metal armor, these accessories with traces of daily living are actually closer to the character.
Of course, the biggest highlight of this photo set is that incredibly massive white weapon. The photographer and I tried a great many poses with this prop. Actually, holding a large prop can easily steal the focus, so during the shoot, I needed to constantly pay attention to the exertion points of my arms and the extension of my body. For instance, the photo where I rest my arm on the weapon and prop up my chin looks like a very casual posture, but it was frozen only after repeatedly adjusting my center of gravity to maintain the weapon's stability and a natural expression. In addition, the high-angle down shots and dynamic compositions leaning forward with the blade put a Coser's understanding of camera language to the test, requiring both the expression of combat aggressiveness and the prevention of the body compressing the prop.
Because we shot in a solid gray-blue studio without complex outdoor elements, the photographer intentionally made the light and shadow quite sharp, aiming to highlight the three-dimensional contours of the character's makeup and bone structure. This kind of lighting doesn't demand much in post-processing; as long as the on-site exposure is accurate, retaining the skin texture and fabric quality during editing adds a lot of points. Compared to those soft-light shoots that come with a dreamy filter, this lighting with a touch of industrialism and coldness actually fits perfectly with the slightly oppressive and cold world-view atmosphere of the entire Gachiakuta work.
Shooting a combat style cosplay is indeed very tiring. Sweating profusely happens every time I bend over to adjust my posture or wrestle with such a large prop. But it is often in this stalemate of fatigue and focus that one can best find the true soul of the character. When you stand under the spotlight, holding the weapon exclusive to your character, you will unconsciously immerse yourself in that tension of being ready to fight at any moment. This photo set records the entire process, not just to look good on camera, but also to record a state of detachment from reality. This experience of cosplaying Riyo has also given me a deeper understanding of anime combat-style characters. Besides good costumes, makeup, and props, an individual's grasp of the character's state is also key to the quality of the final photos. Sharing these subtle feelings, I hope everyone can feel the dedication put into this.