The key to recreating this outfit lies in the jacket's silhouette and the dual-horn design on the hood. Combined with short silver-gray hair, I wanted to replicate Projekt Red's gaze in the character art style—vigilant yet touched with loneliness. The original post mentioned "the seaside might not be as melancholic as Red," so while shooting this set today, I deliberately adjusted my state of mind to bring that sense of aloofness and quiet emotion in front of the lens.
The location chosen was an open coastal water area. The light was extremely bright that day, with fine ripples refracting off the water surface. The reflected highlights hitting my face surprisingly created a translucent look. To complement this natural backlit setting, I kept makeup minimal: eyebrows retained their natural hair texture, while eye makeup featured a subtle tightline drawn slightly downward to soften the gaze, making it look less "ferocious." The focus was placed on lip color, choosing a matte brick red to add vibrancy without clashing with the red jacket.
The jacket serves as the visual centerpiece of this look. The upper body incorporates a puffy red bomber jacket style left partially unzipped, exposing the black one-piece swimsuit underneath to form a striking black-red-white color contrast. The swimsuit's thigh straps create a subtle tension on camera; combined with keeping hands tucked in jacket pockets, the body posture expresses a relaxed yet ready-to-act readiness.
Actually, during the shoot, the wind was fierce, billowing the jacket up and messing up my carefully prepared hair. But reviewing the raw shots later, I noticed that this messy state—with hair blowing against the corner of my lips—matched the "melancholy" aura of the character art style much better than deliberate posing. To mirror the art composition during outdoor photography, I tested multiple camera angles, eventually settling on a mix of high-angle and eye-level shots. Placing the character dead center against the glistening blue water background cleanly separated the figure from the environment.
In post-processing, I deliberately preserved the bokeh spots on the water generated by the wide aperture. Although these highlights were initially glaring, I appropriately lowered surrounding shadows while enhancing contrast on the central figure to make the red outfit pop. The composition emphasizes negative space: sky at the top and water at the bottom occupy most of the frame, with the character dotted at the visual center. This contrast between the vast environment and the singular figure perfectly fits Projekt Red's delicate yet independent character in the story.
Originally, I worried that bright outdoor photography light would seem too "sunny" and dilute the intended melancholy. Later I realized that as long as my facial state remained sufficiently relaxed and untensed, that cool distance conveyed naturally. For hair, I thinned the bangs slightly so they partially veiled one corner of my eye; paired with pulling the hood over my head, it instantly established the character's signature traits.
This should serve as a simulation of Projekt Red's everyday state on a summer coastline. No complex background props, no special poses—just standing there, feeling the wind against the jacket, staring absently at the water. This state itself is likely identical to how the character stands alone in the story. Through coordinating makeup, hair, and clothing, combined with subtle expression control, we can capture the character's unique demeanor even in everyday environments. These are my Cosplay photography insights and restoration detail notes for this Arknights Projekt Red cosplay during the summer.