The focus of this photoshoot was entirely on this pouting expression. The character Roxy herself has a very unique charm; as a magician, despite being powerful, she often reveals various vivid little emotions in daily life, and this sense of contrast is precisely what I wanted to restore most.
To capture the pouting feeling, I tried many times in front of the lens. I couldn't act too fierce, otherwise, she would lose that cute foolish charm of her own; yet I couldn't show no temper at all either—there had to be a texture of stubbornness mixed with a hint of grievance in the gaze. In the end, I simply lowered my center of gravity, squatted directly on the ground, and tightly held that white long staff prop with both hands. Because the wig was quite long, while squatting, I kept worrying whether the long blue braids would brush against the dust on the ground. Moreover, the hem of the cape is very large, and a squatting posture easily wrinkles the clothes, so during shooting breaks, I was constantly trying to adjust the state of the brown cape, trying to let the white shirt and the black rows of buttons on the chest show through to maintain a sense of layering.
Speaking of the costume, this outfit has quite a few details. A white high-collared shirt paired with black shorts, covered by that brown cape on the outside, creates a very harmonious overall color tone. The lower body wears black over-the-knee stockings; this material is actually quite prone to snagging during outdoor shoots, so I kept all my movements very small. The white boots on my feet feature golden toe decorations; although the heels are not particularly high, maintaining a squatting posture while keeping the props steady still consumes a fair amount of physical energy. To match the character, I wore blue contact lenses and intentionally increased the color of the blush so that it would look more vibrant in front of the lens. Managing the blue wig also took a lot of effort, especially the small tuft of hair sticking up on top of the head—I used quite a bit of hair spray to fix it, and the long braids also needed to be combed from time to time to avoid looking frizzy.
The natural light on the shooting day was relatively soft, and I asked the photographer to blur the background as much as possible to better highlight the character's state. Actually, shooting photos with such strong emotions is physically tiring, but the facial muscles are what gets exhausted most. To maintain the pouting state, I not only had to control the arc of my lips but also make my eyes look energetic. My cheeks felt almost stiff after the shoot. But seeing that little bit of temper captured in the final photos made all this trouble feel completely worthwhile. I hope this set of photos allows everyone to feel Roxy's earnest and cute side.