The conception of this gear actually had a highly core demand during the planning stage, which was to express the contrast between a cute appearance and hardcore props. When starting to make the costume, I first determined the color base tone: light blue and pure white representing ice crystals, paired with the iconic large red bowknot. The biggest highlight or source of fun for this shoot lies in the tactical rifle prop in hand and the holographic crystal pieces on the back.
The part that required the most effort regarding the costume was actually the layer treatment of the skirt hem. To make the overall silhouette look fluffy and full, double-layered petticoats were used at the bottom, with the outer layer featuring a white and blue patchwork ruffle, and white small plush balls sewn onto the edges. Combined with the animal ears-like hair accessories on the head, it presents a sufficient level of cuteness visually.
Regarding the hardcore equipment carried this time, I had already envisioned some highly unconventional compositions before the shoot. For instance, that low-angle shot looking up used the perspective relationship of a wide-angle lens to directly point the muzzle upward toward the camera, which, working with the character's signature sly smile, indeed carries strong visual impact. In subsequent shooting, to display the full appearance of the prop, I chose a posture holding this long rifle horizontally with both hands.
This shoot went very smoothly, with special thanks to photographer Tokizaki Yano's on-site guidance during this convention photography session. Inside the hall of Xiamen Ring Universe, the light sources at the convention venue were actually highly complex, with a large number of dense circular ceiling lights, along with a grey concrete floor and a bustling crowd in the background, making it easy for the frame to look cluttered. The photographer very professionally utilized a shallow depth-of-field large aperture to completely blur the background, thereby locking the visual focus tightly onto me.
Regarding the holographic crystal props on the back of this outfit, the original intention was to balance the overall visual weight of the frame. Because holding a rifle already occupied the visual weight on a single side of the frame, without these large-volume laser material decorations on the back, the whole photo would easily look unbalanced in composition. These crystal props could reflect a rainbow-like luster under the hall's ceiling lights, supplementing a touch of bright color to the dark firearms.
The shooting rhythm at the convention venue is usually quite fast, and we need to seize gaps amidst the passing flow of people to capture actions. During the posing stage, I intentionally prepared poses with strong contrast. For example, the slightly oppressive rifle-holding stance in Figure 3 can beautifully sew tactical-style props together with a Lolita-style dress, creating a wonderful cross-dimensional feel.
Many passing bystanders smiled and joked when seeing this rifle, saying it was simply the concrete manifestation of the militarization of Gensokyo within the Touhou Project universe. I also feel that the character's inherent slightly confused yet confident trait, when put together with such methodical and sophisticated equipment, instead sparked highly harmonious chemistry.
Although wearing a complex multi-layered dress at the convention consumed a lot of physical energy, being able to restore this character's vibrant side in front of the fans' lenses left me highly satisfied. What this shoot wanted to express is that fearless joy of the character; although the props are tough, the gaze and smile still need to maintain that original innocence and confidence, completely reflecting the pure fun of my casual cosplay journey.