The costume of this Snake really put a lot of thought into the details. From the moment I got the clothes, I was thinking about how to combine this tactical style with feminine charm in front of the lens. The pink inner wear and the black leather corset formed a strong visual contrast, and the metal buckles at the waist had a great texture under the light. To restore this Techwear feeling, I deliberately selected black Marten boots with straps and metal ring buckles, paired with see-through black Stockings, so that the leg lines could be better showcased. The white plush ball and bow on the head slightly neutralized the overall tough vibe, adding a bit of layering to the overall styling.
Taking care of the wig also took a lot of time. The golden long hair required some braided sections, and it was also necessary to ensure that the bangs didn't block the line of sight. The contact lenses were chosen in a reddish-pink tone, which, paired with a relatively sharp eye makeup, could better convey the gaze in front of the lens. When shooting on site, I found that controlling the wide white sleeves was a difficulty; if placed casually, they would look bloated, so every time I raised or lowered my hands, I tried my best to make them present a natural draping feel.
Shooting was actually quite a test of physical strength. Although the huge white sleeves looked good, they easily swallowed movements when hanging down, so I had to constantly pay attention to the placement angle of my arms. The staff in hand looked very imposing, and the golden hollowed-out spiral head was quite heavy; holding it for a long time indeed made my arms sore, but for the sake of the picture effect, I still had to maintain a stable grip. For the first photo of sitting on a chair, we tried several angles and finally decided to use a low-angle upward shot, which could capture the ceiling grid lighting while elongating the body proportions. The crossed legs could perfectly display the details of the black Stockings and boots, and the state in the lens was relatively relaxed, but the body was actually secretly exerting force to maintain uprightness.
The second prone posture was a pleasant surprise among the Convention photos. Originally, I just wanted to adjust my state, but the photographer captured this moment. The white curly decoration behind looked particularly tense under the low camera position, winding like a snake's tail. This posture is actually very hard to maintain; the arm supporting the ground required great strength, and the gaze also had to be precisely directed to the lens. To catch the best angle, I repeatedly adjusted the position of my center of gravity on the ground and had to make sure the black Stockings wouldn't be scraped by the ground. The final output indeed had a dangerous yet charming atmosphere.
The third high kick action was the most challenging part of the whole session. While maintaining balance on a single-leg stand, I also had to control my expression and hold the staff steady. The top lighting at the site was very bright and prone to overexposure on the body, so the photographer adjusted the flash power to preserve the texture of the leather clothes and the details of the black Stockings as much as possible. This action had high requirements for core strength; the kicked-out leg needed to be straightened with the toes pressed down to create a sense of extension visually, while the upper body's center of gravity needed to lean slightly backward to maintain balance.
The industrial-style background of these Convention photos matched our costume style very well. The white pillars and reflective ground provided a great sense of depth. Post-processing slightly darkened the background, strengthening the outline of the character subject. In color grading, the vibrancy of the pink was preserved while enhancing the contrast of the black leather to make the texture more prominent. Overall, I am quite satisfied with the completion of this costume and actions. From makeup to prop matching, everything was meant to shoot more impactful pictures on site. Although this set of official photos was shot in an exhibition environment, we made many attempts in composition and lighting, hoping to shoot Convention photos with the texture of official studio photos.