[Hatsune Miku Cosplay] The White Dress of Starry Prayer Night, under the CP30 Sunshine - Image 1
[Hatsune Miku Cosplay] The White Dress of Starry Prayer Night, under the CP30 Sunshine - Image 2
[Hatsune Miku Cosplay] The White Dress of Starry Prayer Night, under the CP30 Sunshine - Image 3
[Hatsune Miku Cosplay] The White Dress of Starry Prayer Night, under the CP30 Sunshine - Image 4

At CP30 Hangzhou, the morning sun was just right as we entered, so I quickly seized the natural light to shoot a few sets of convention photos. For this Hatsune Miku Starry Prayer Night outfit, the white fabric easily gets overexposed under strong light, but lowering the highlights slightly can bring out that translucent texture. After finishing the shoot in the afternoon, I went straight back to the hotel to import the photos and started editing that evening—classic 'Zhejiang speed,' maximizing efficiency while the iron is hot.

This outfit actually has a lot of details. The bow and metal star accessories on the headpiece, combined with the long, straight mint green wig, make the overall color palette look very refreshing. The wavy edges and dark blue piping of the outer capelet really test the tailoring, while the golden star buttons and geometric stitching on the chest add a sense of three-dimensionality. During the shoot, I intentionally chose several different angles—lifting the skirt against the outdoor crowd backdrop showcases its fluidity, the look back over the shoulder captured a relaxed expression, and later we moved to an indoor area with simple wall structures, using direct sunlight on my hands and neckline to create a contrast between light and dark, which gives the image more depth.

When editing, I mainly focused on unifying the skin tone and removing environmental color cast. Since white dresses are easily influenced by ambient light, I adjusted the white balance to be slightly cooler to restore the crisp, cool tone of the mint green. The background blur in the outdoor photo turned out well; despite the many passersby, the bokeh remains clean. For the three indoor photos, natural light was used to dim the background, highlighting the character's expression. The entire process from shooting to post-processing took about five to six hours, and including photo selection and fine-tuning, it definitely met the plan of shooting in the afternoon and editing at night.

As convention photos, the biggest challenge is actually finding clean angles in a chaotic environment. I got lucky this time; the lighting and venue cooperated perfectly. The skirt hem and cuffs have a lot of lace and pleats, providing a natural motion when walking and showcasing the tailored silhouette when static. I am personally quite satisfied with the fourth half-body close-up, where my gaze is slightly vacant, paired with hand movements to capture the emotion just right. The texture of the hair was also edited to look fluffy rather than flat against the scalp.

Lastly, the happiest part of doing cosplay is being able to blend your own understanding and aesthetics into the character. The Starry Prayer Night look itself possesses an angelic purity, and the combination of white and mint green is almost foolproof. I hope to have more opportunities to shoot this look in studios and outdoor locations in the future, as its expressiveness varies completely under different lighting. That's all for these few CP30 convention photos for now; photos from other angles will be sorted out and shared later.