At the Changchun CJ convention this time, I finally shot the Raiden Shogun succubus form that I had been planning for a long time. From settling on this creative idea to completing the costume and props took nearly a month of effort—especially that blade. To faithfully recreate the purple-pink gradient and streamlined shape from the concept design, sanding and spray painting had to be reworked three times. Fortunately, the finished prop had a solid feel in hand, and swinging the greatsword immediately elevated my presence.
The foot traffic at the convention hall on shooting day was immense, so we specifically chose a corner booth with a glittery reflective floor. Under the lighting setup, it created the illusion of floating in a starry sky. The core of this outfit lies in blending succubus cosplay elements: black wings with purple and pink accents lined in bright rose red that offer great visual tension when spread; a halter-neck, off-the-shoulder cut top paired with semi-transparent black mesh sleeves that gracefully highlights the neck and shoulder lines; and waist side cutouts with lace-up straps that keep the look dynamic rather than dull. What satisfied me most was the lower half—black shorts paired with black stockings cosplay, topped off with pink strapped high heels at the ankles. In a seated position, the legs stretched beautifully, and the photographer captured several low-angle shots that showcased the sheen of the stockings and leg lines perfectly.
As for posing, I attempted two main directions. For seated poses, leaning slightly backward while glancing back at the camera with the sword slanting beside me allowed the wings, legs, and chest neckline decorations to all fit into the frame simultaneously. Standing poses emphasized power: holding the greatsword high overhead with one hand so the mesh sleeves fell naturally, or holding the blade horizontally with both hands—paired with a cold gaze—created a captivating contrast of \"approachable yet dangerous lure.\" The site was quite crowded with passing tourists and other photo crews behind us; to avoid distractions, we had to grab brief gaps to adjust our positioning. Several times right after settling into a pose, a flash would pop off in the background, until a friend stood behind the camera to help block stray light, allowing us to capture these clean shots.
In post-processing, we mainly enhanced the saturation of skin tones and blue-purple hair color to bring the overall palette closer to a vivid 2D anime feel while retaining realistic skin texture. Convention lighting can be messy with top lighting casting shadows at certain angles, but the photographer controlled highlights steadily. The floor reflection didn't steal the spotlight, but rather complemented the leg rim lighting. The prop blade received subtle highlight stroke effects to give it a more menacing metallic edge.
Whenever doing a darker-themed cosplay, the toughest part is emotional control. Looking too fierce makes it stiff, while looking too soft undermines the succubus concept. So I deliberately lowered my brows slightly, kept my mouth relaxed, and used purple contact lenses to convey an atmosphere that is both dangerous and mesmerizing. The shoot lasted nearly two hours, leaving my legs sore, but seeing all the fine details in the final photos—golden tassels on the headpiece, folds on the bows, and subtle reflections on the black stockings—made all the hard work feel completely worthwhile. This look turned many heads at the show, with passersby stopping to say \"So cool!\" and many taking out phones to shoot photos. To me, that's the true charm of cosplay: bringing imagination to life through physical outfits. My experience at Changchun CJ was deeply fulfilling, and I hope to continue bringing more contrasting character concepts to life in the future.