[Marisa Kirisame Cosplay] Touhou Project Main Duo: Natural Light Outdoor Shoot Under an Ancient Tree - Image 1
[Marisa Kirisame Cosplay] Touhou Project Main Duo: Natural Light Outdoor Shoot Under an Ancient Tree - Image 2
[Marisa Kirisame Cosplay] Touhou Project Main Duo: Natural Light Outdoor Shoot Under an Ancient Tree - Image 3
[Marisa Kirisame Cosplay] Touhou Project Main Duo: Natural Light Outdoor Shoot Under an Ancient Tree - Image 4
[Marisa Kirisame Cosplay] Touhou Project Main Duo: Natural Light Outdoor Shoot Under an Ancient Tree - Image 5

This set of photos was shot in a park filled with ancient trees. The hanging aerial roots and twisting, dragon-like roots perfectly fit the interwoven atmosphere of Japanese style and fantasy in the Touhou genre. This time I portrayed the black-and-yellow color-schemed witch attire, while my partner was the red-and-white shrine maiden. When we first decided to shoot the main duo cosplay, we were searching for a scene that could carry delicate natural light and outdoor prop shooting, and we ultimately chose this place. The weather on the shooting day was quite nice. The broom I carried and my partner's magic wand actually tested the framing significantly in an outdoor environment, as we had to avoid dead branches and grass patches on the ground. Fortunately, photographer @Wuyu Ruoye was highly experienced and fully utilized the branches in the scene as the foreground or framework for composition, blending the props and characters into the natural environment with a great sense of realism.

My black ruffled hat combined with the long golden braid was actually easier to organize than expected, whereas my partner's complex red tailoring and massive amount of bows required constant attention. We first attempted standing interactions, utilizing horizontal branches to enrich the spatial layers of the frame, and then moved to the tree roots to shoot the sitting versions. The sitting postures in the fourth and fifth photos were relatively more relaxed, naturally gathering the focus onto the characters' emotional exchange. That action of touching the black bowl was actually a small snippet we came up with on the spot, wanting to make the frame closer to a casual daily break atmosphere.

In terms of light, we utilized the warm afternoon slanting sun, letting the side-backlight hit the characters to outline the rim light of the wigs. The color saturation under this natural light required no extra enhancement; the red, white, black, and yellow on the attire complemented each other in the woods, appearing highly soft. I focused heavily on controlling the thickness of the makeup, selecting a relatively clear base makeup to pair with the wig, making the facial features look clean and natural in front of the lens. In terms of wig styling, I specially adjusted the bangs to a curvature that perfectly framed the face.

Having partnered with @XunDeng many times, we basically didn't need to deliberately pose according to reference pictures for the actions. As long as the two of us stood together, looked at each other, or casually placed a hand on a shoulder, the photographer could capture highly natural moments. The charm of an outdoor shoot probably lies right here: the environment constantly has light and shadow changes from shaking leaves, and the wind direction carries the skirt hem and ribbons to flutter. These dynamics often bring much more vivid visual effects than studio shoots. We kept the post-processing quite conservative, preserving the original straight-out-of-camera light and shadow texture, letting those mottled light patches filtering through the leaves become part of the frame.

Every time we go for an outdoor photography session, we encounter minor accidents, such as the broom getting caught on tree roots or the edge of the wig sticking up. However, with a tacit partner and a professional photographer on-site, these minor situations can be resolved quickly. The handmade traces on the props also appeared quite textured under natural light. From location selection to on-site positioning and snapshot capturing, the entire process of this set went very smoothly, counting as one of my relatively satisfying sets among recent outdoor portrait sessions.